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…Carmen. She is a sensual and strong figure who plays with the feelings of Joseph. Now he seduces and lets himself be carried by him, sometimes dodging, but attracts him….

Choreography: Pablo Aharonian from the original by Pyotr Gusev (1904-1987) Music: Riccardo Drigo (1846-1930) and Cesare Pugni (1802-1870) Lighting: Nicolas Marchi Costume: Fabio Namatame Premiere: 1955 | Mariinsky Theater ,…

…Machado Premiere: 1993 Debut SPDC: 2016 The duo translates the energy and love of the fairy by the human being marked by his delivery and delicacy. The pas de deux…

…| Zurich Opera House , Zurich /Switzerland Debut SPDC: 2016 In a Suite for Two Pianos, German choreographer Uwe Scholz (1958-2004) created movements inspired by the reflections of plastic artist…

Choreography and scenography: SPDC from the original 1858 by Marius Petipa (1818-1910), based on Lord Byron’s Le Corsaire Music: Adolphe Adam (1803-1856) Costume: Tânia Agra Premiere: 1858 | Bolshoi Kamenni…

…virtuous, articulate and at the same time lyrical, alludes to the pursuit of perfection, intangible according to Kylián. On the scene, a white silk curtain creates light and shadow, which…

Choreography, scenario and lighting: William Forsythe Music: Duetti per due violini, vol.1 ,by Luciano Berio (1925-2003) (by agreement with Universal Edition AG, Vienna, www.universaledition.com) Costume: Stephen Galloway Restaging: Allisson Brown…

Choreography, scenario and lightning conception: Jirí Kylián Music: Concerto for Piano in La Mayor KV 488 (Adagio) and Concierto for Piano in Sol Mayor KV 467 (Andante), by Wolfgang Amadeus…

…from the 15th and 16th centuries, promotes diversity of dynamics explored by the choreographer and reveals a fluid and rhythmic dance that leads to other times, however, it is timeless….

Choreography, lighting, scenario and costume: William Forsythe Music: Thom Willems Restaging: Agnès Noltenius Premiere: 1987 | Palais Garnier, Paris/France Debut SPDC: 2012 Entrusted by Rudolf Nureyev in 1987 for the…

…characters of this work. Danced around the world, this duo is a big challenge for performers, not only for the technical quality, but also for the interpretation. Choreographed by Marius…

…Marius Petipa, John Cranko and Eric Gauthier – and to established ballets – such as Romeo and Juliet and Onegin. “It’s a vibrant ballet, which has a blast at the…

…deux immortalised by Márcia Haydée and Richard Cragun, which tells in gentle steps the lyrical love between a man and a woman by the confidence and surrender of the movements…

…he knew how to use sense of humor. To be able to dance Sechs Tänze one should be fast and put on a mask. It´s like being yourself and not…

Choreographer: Marie Chouinard Music: Prèlude à L´après-midi d´un Faune, by Claude Debussy (1862-1818) Costume: Marie Chouinard and Vandal and Luc Courchesne Lighting: Alain Lortie Lighting consultant: François Marceau Lighting adaptation…

…evokes a period in which classical dance flourished, with Theme and Variations. The Final Movement of Suite No. 3 consists of 12 variations. At the beginning, 12 dancers and a…

…with a special command of balance and imbalance. For the male dancers, the challenge lies in the combination of difficult spins, the speed of the movements, and the great leaps….

…Karinska and Arte & Cia Restaging: Ben Huys Estreia mundial:1935 | Adelphi Theater, New York/United States Debut SPDC: 2008 Serenade was created by George Balanchine for the premiere of his…