Criações

Conception and Artistic Direction: Inês Bogéa

Trilha Sonora: Heitor Villa-Lobos (1887-1959), Astor Piazzolla (1921-1992), Wolfgang Amadeus Mozart (1756-1791) and Samuel Barber (1910-1981), performed by the São Pedro Theater Orchestra, under the direction of maestro Claudio Cruz

Lightning: Nicolas Marchi

Photography: Chrales Lima and Nicolas Marchi

Assembly and Finalization: Charles Lima

Musical dramaturgy and Plateau: Rodolfo Dias Paes (DiPa)

Camera Operation: Charles Lima and Alan Fabio Gomes

Conducting assistance: Gesiel Vilarubia

Direct sound capture: Julio Abreu

Audio assistant: Ítalo Belfiorie

Making of: Alan Fabio Gomes

Still: Marcos Alonso

Duration: 25 min

Elenco: 16 dancers

Debut SPCD: 2021 | Streaming on YouTube channels of SPCD and Theatro São Pedro

Divided into two volumes, each with four different works, Reflexos de um Tempo Presente (Reflections of a Present Time) brings different environments of Theatro São Pedro – facade, lobby, corridors, balconies, audience and stage –, revealing this architectural heritage of the capital of São Paulo under new perspectives from the interaction with dance and orchestral music in the form of video dances in which the dancers from São Paulo Companhia de Dança dialogue with instrumentalists from the Theatro Theatro São Pedro Orchestra. The films are part of the Dança Hoje (Today Dance) series, which began in 2020, and feature the work of young choreographers based on 8 unpublished contemporary works created especially for the audiovisual sector, which have, in common, a fine interweaving between music and movement.

Reflexos de um Tempo Presente | Dança Hoje Part 1 consists of the following choreographies:

Coabito

Choreography and Costume: André Grippi

Music: Prelude nº 3, by Heitor Villa-Lobos (1887-1959), performed by Gesiel Vilarubia (violin)

Costume Execution: Edmeia Evaristo

Bailarina: Ana Roberta Teixeira

Oblivion

Choreography and Costume: Irupé Sarmiento

Music: Oblivion, by Astor Piazzolla (1921-1992), performed by Renan Gonçalves (violin), Anderson Santoro (violin), Mariela Micheletti (violin), Diogo Guimarães (viola) and Franklin Martins (cello)

Poem: Los Espejos, by Jorge Luis Borges (1899-1986) in the voice of Luiz Arrieta

Dancers: Daniel Reca and Geivison Moreira

Guest Dancer: Luis Arrieta

Colapso

Choreography and Costume: Beatriz Hack

Music: Fantasy nº3 in D Minor K.397, by Wolfgang Amadeus Mozart (1756-1791), performed by Andrey Ivanov (piano)

Scenic object: Luiz Antônio Dias

Dancers: Nielson Souza, Otávio Portela and Vinícius Vieira

Perspectiva

Choreography and Costume: Matheus Queiroz

Music: Adagio for Strings by Samuel Barber (1910-1981), performed by Renan Gonçalves (violin), Hugo Leonardo (violin), Fabio Schio (viola), Fabrício Rodrigues (cello).

Costume: Highstil (t-shirts)

Dancers: Artemis Bastos, Beatriz Paulino, Beatriz Hack, Cecília Valadares, Letícia Forattini, Leonardo Pedro, Luiza Yuk, Milton Coatti and Otávio Portela

Direction: Inês Bogéa and Stephen Shropshire
Choreography: Stephen Shropshire
Music: Sonata in B Minor K87, by Domenico Scarlatti (1685-1757), performed on guitar by Douglas Lora
Costume: Plié
Duration/cast: 9 min with Hiago Castro and Luiza Yuk
Debut SPCD: 2021 | Streaming on the SPCD YouTube channel

Marmórea (Marble) is a video dance in which Stephen Shropshire – resident choreographer of the São Paulo Companhia de Dança (São Paulo Dance Company) – applies his intricate movement to a duo in which the dancers are like sculptures that come to life in dialogue with the music of the composer Domenico Scarlatti (1685-1757) interpreted to the guitar. In a fusion between the languages ​​of dance, music, audiovisual and visual arts, this production was recorded at the Pinacoteca de São Paulo and is part of the Pina Dança 2021 program. With general direction by Inês Bogéa – director of SPCD – and Stephen Shropshire, Marmórea is a partnership between São Paulo Companhia de Dança, Pinacoteca de São Paulo and The Dutch Performing Arts program of the Performing Arts Fund NL, from the Netherlands.

Artistic-pedagogical direction of Santa Marcelina Cultura: Paulo Zuben
Artistic manager of Santa Marcelina Cultura: Ricardo Appezzato
Artistic and executive direction of São Paulo Companhia de Dança: Inês Bogéa

Conception and Stage Direction: William Pereira
Musical Direction: Ricardo Ballestero
Dance Direction: Inês Bogéa
Music: Heitor Villa-Lobos (1887-1959), Camargo Guarnieri (1907-1993), Alberto Ginastera (1916-1983), Miguel del Águila
Choreography: Monica Proença, Jonathan dos Santos and Esdras Hernández Villar
Lighting: Caetano Vilela
Costume: Balletto (female) and Acervo SPCD (male)
Duration/cast: 42 min with 8 dancers
Debut SPCD: 2021 | Theatro São Pedro, São Paulo/SP – Brasil

Script
Heitor Villa-Lobos
Choros n.2, for flute and clarinet

Heitor Villa-Lobos
Fantasia Concertante, for piano, clarinet and bassoon
i. Allegro non tropo
ii. Lento
iii. Allegro impetuoso
Choreography: Monica Proença and Jonathan dos Santos

Camargo Guarnieri
Improvisations, for solo flute
Choreography: Esdras Hernández Villar

Alberto Ginastera
String Quartet n.1 – Allegro
Choreography: Esdras Hernández Villar

Alberto Ginastera
Sad, for cello and piano
Choreography: Monica Proença and Jonathan dos Santos

Miguel del Águila
Charango Capriccioso, for piano and string quartet
Choreography: Esdras Hernández Villar

Infinitos Traçados (Infinite Traces) is a work conceived by many perspectives: the stage director, the dance, the music, the lighting, the three choreographers, the eight dancers, the eight musicians. Together, they reveal a bit of Brazilian composers Heitor Villa-Lobos, M. Camargo Guarnieri, Argentine Alberto Ginastera and Uruguayan Miguel del Águila. These lines were created remotely, with artists based in Brazil, Canada, Germany and Chile. Infinite paths arise in the interaction of this material with the scenography, light and live music. Everything so present and so fleeting – in the art of dance, the body reveals the soul in movement.

Choreography: Leilane Teles
Músicas: Muloloki and Para a Poetisa Íntima, by Tiganá Santana and Nzambi Kakala Ye Bikamazu and Mama Kalunga, by Tiganá Santana sung by Virgínia Rodrigues
Lighting: Gabriele Souza
Costumes: Teresa Abreu
Costume Assistant: Priscilla Bastos
Duration: 20 minutes
Cast: 8 dancers
Debut SPDC: 2021 | Teatro Alfa, São Paulo/SP – Brazil

To create Umbó, Leilane Teles has based on a premise she calls “the creation of desire”, which talks about the desire to become who one wants to be from a certain reference and how this reverberates in each one’s body The act of being inspired also produces inspiration, generating an infinite cycle. The singer and songwriter Tiganá Santana, the singer Virginia Rodrigues and the choreographer Matias Santiago are the inspirations for Umbó, which invites the public to appreciate and revere the arts and trajectories of these personalities, as well as the dancers on stage and all the artists involved in the creation of the work.