DANCE IN THE TROPICS AND SÃO PAULO DANCE COMPANY
[…] We believe we can compare this group [SPCD], equally at ease in classical and modern, to the dancers of Nanette Glushak at the Capitole de Toulouse. The same technicality, the same agility and elegance, the same team spirit. In São Paulo, I had the opportunity to attend a work session on a contemporary ballet, and the easiness of each person to find the fair, exact expression and execute tangled movements with pure, precise and vigorous style – Terpsícore, the muse dance, watched over there! We can then conclude: it is worth seeing all the experiences of contemporary dance,
but we believe that, in Brazil as elsewhere, it is great that such companies exist, constituting protection against exaggeration because they are able to bring them back to the right measure. They are conservatories that ensure novelty its best foundation, giving it the chance to, one day, become classic.