OLD AND NEW
Despite the financial crisis in Brazil, a new dance company has emerged in the last decade, which collects praise for its quality, its diverse repertoire and its cast. […] For the tenth anniversary, the festivities began with a tour of festivals in Germany, Austria, France and Luxembourg, a tour that left the audience electrified and excited. It is the work of SPCD in Brazil, however, that makes it so relevant. Ivan Grandi believes that “São Paulo is one of the most solid companies in Brazil, as it offers classical and contemporary works to the public and a wide field for choreographies and dancers in different styles and genres”. Many Brazilian dancers need a place to work, and Rodrigo Pederneiras thinks: “SPCD is fundamental for dance in Brazil. Because there are not many companies in Brazil. Its eclectic repertoire, all the activity with different choreographers, plus the rich educational work it develops makes it a leader among its peers. ” […] On a practical note, [Mario] Galizzi [a reference in South American dance] emphasizes that Inês Bogéa is also a wonderful example of an artistic administrator. “She finds sponsors, organizes tours and conferences and receives numerous invitations to perform throughout Brazil and beyond; that makes her a great director. Márcia Haydée also told me about Bogéa in similar terms. […]